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| Isis, the Lotus Bearing, art by Linda Iles |
Heart and Hands of the Goddess Sacred Creativity
Linda Iles Isis,
Lotus of Alexandria Lyceum This is a season of reflection. Most of us take the time to
look back and remember the happenings of the year, as we prepare for Samhain. Scholars believe Samhain marked the beginning
of the Celtic New Year. It marks a period when the veils between worlds are at their thinnest. And although it is indeed a
time of reflection, assessment of the years work, of contact with the spirit world and honoring those who have passed over,
I also see it as something else. This season of the year has always marked a period of personal and creative growth.
There is nothing more central in the life and activities of
a devotee of the Goddess than the creative process. Isis and many other Goddesses were associated with the arts; in ancient
times members of the Isian priest/esshood were often artists, poets, musicians or craftspeople. The connection between
art, creativity and the priest/esshood is an ancient one, pre-dating the temples of ancient Egypt. Ancient cultures viewed
the ability to perform a creative act as an implication of special favor from the Divine Source, the close association of
art with ritual and Deity goes back into the mists of prehistory! The act of creation attunes an individual to the most potent principles of the Goddess. She is
the vehicle through which all life is made manifest. Bringing an idea into physical reality requires intuition, visualization,
preparation and decisive action. It also requires empathy for the subject.
Many
people feel that creativity is manifested solely in the arena of the arts. This is not so. Healing techniques that utilize
transference of subtle life forces from healer to patient begin by first inflaming the healer's heart with spiritual compassion
or loving empathy. This is accomplished by focusing inner awareness to cause a concentration of etheric energies in the heart
center. A force of ‘etheric generative light’ created from life energy and love is then directed to the healers
hands where it is transferred to the affected area of the patient's body. This type of healing utilizes creative visualization and is a manifestation of creative force. The
healing energy is brought through the healer, who opens up and becomes a channel, but the healing comes from Deity.
Much the same thing happens with any artistic endeavor. Artists,
musicians, poets and writers have a reputation generally, more a cliché really, of being sensitive, temperamental,
passionate. These individuals are keyed into the Creative Source, and songs, words, images, colors will come into their minds
and hearts. They are inflamed with inspiration and impulse during the creative process and become a channel. Many times these
individuals will say of their own work, that they feel 'guided' or that the ideas just 'come' or are 'given'
to them.
Individuals who doubt their creative potential
are using it unconsciously every day. A good cook, a fine seamstress, a skilled sports player, a gifted mechanic, an avid
gardener, all display empathy by being so attuned to the logistics and performance associated with their activities. A loving
mother or father who is sensitive to the moods, needs and teaching of their child uses the creative powers of empathy and
inventiveness. Even keeping a positive frame of mind can be a creative experience in stressful situations, requiring a burst
of inspiration and intuition to cope with the difficulties presented. If these activities are performed with a conscious
dedication to Goddess, they become sacred.
A Priestess
or a Priest - and every member of the Fellowship of Isis - when they chant, sing and pray, keep the altar(s) and shrine(s)
within their homes and/or temples open and energized. This is another way to keep open a gateway for divine and creative energies
to enter the world. Devotees of the Goddess who find their vocation of service use their empathy guided by intuition to find
an avenue with which they resonate. They open up within to hear the inner small, still voice of the Great Mother.
This is the basis of sacred creativity. It is not only about
executing a work of art or craft that honors our Goddess (or God). It is far more than that. Sacred creativity is the act
of consciously reaching beyond our usual sphere of activity (and comfort) to learn, grow and be. This is creative effort of
the best kind. Our consciousness deepens when we honor our tutelary Deities, by infusing our ideas with loving dedication,
bringing them to physical manifestation through our actions. When we operate on this level, the loving empathy of the Goddess
as 'Mother of All' flows through us.
During
my priestess training I was called upon to be creative in ways that were very much out of the realm of my previous experience.
One of the most difficult involved making my own crown for ordination. It was a requirement of my training to make my own
robe, wand, stole and crown while preparing for the ceremony. Although I have a professional background in jewelry making
as a silversmith, stretching back over thirty five years, the design and construction of such a large piece - most especially
soldering it together - was a challenging assignment. Further pressure was added by severe restrictions of time since ordination
was scheduled to take place in a few weeks. As work began there was no guarantee that things would run smoothly since this
was my first attempt to make this type of item. Before every work session, I asked Isis for her guidance and inspiration when
problems did arise.
I will always remember the still
small voice that told me to turn and look out my window on that first work day. A hawk was sitting in the uppermost branches
of a tall tree-like shrub in our backyard. It returned to the same place and sat quietly every day while I worked until the
crown was completed. When I finished work for the day, he left. When I started work on the crown the next day and the days
after, he came back. I had never seen a hawk there before, perched so close to the house and patio. Since ordination I have
been called upon to perform many tasks that I had not done previously. The memory of that hawk has served as inspiration and
I have grown in a positive direction with each new experience.
As
devotees of the Goddess and members of the Fellowship of Isis, we have become visible to the public eye as we openly declare
our affiliation to the Isian spiritual heritage. This is an exciting time which is providing us with the opportunity to rebuild
the temples, recreate the clerical vestments, ritual tools and temple furniture to furbish the houses of our Goddess. Many
of us work to enact the old festivals, reconstructing as best we can the ancient hymns and rituals from the remnants that
are left to us.
Shortly before writing this article,
I began preparing for the Convocation at Isis Oasis. I cannot help but think of the grounds of Isis Oasis as I write, which
are the end result of the creative vision of Loreon Vigne; in the form of her enamel work, her stained glass, her painting,
her ideas for re-furbishing the buildings and planting the grounds. Isis Oasis as it exists today has been her life’s
work since the 1970s, a labor of love for Isis, Loreon‘s tutelary Goddess. And I remember too, that this same piece
of land was the starting place for the Baha'i who now have six large, beautiful temples in different countries throughout
the world. The knowledge of their growth served as an inspiration to Loreon over the years, and it has also inspired so many
others to maximize their connection to and use of sacred creativity.
Writing
about Sacred Creativity of the Goddess brought back memory of a vivid dream of some years ago, when I was given a vision and
message from a Sea Priestess! I managed at the time to awaken and write it down in my dream journal. I feel led to share some
of that here, ending with these lines that the Sea Priestess gave to me then. They seem fitting for the time of year.
“This vessel of beautiful purity contains
the song of the sea. Once it
sheltered the body of a living creature, tenderly. Now it is a gem fit for royalty. Nothing that ever lives is wasted, Nothing of value is outmoded, For
truth will ever be. All serves
a purpose, And maybe more than one
purpose, In the living out of it's
destiny.” In the vision, the
Sea Priestess told me to 'look to the West.' I realized when the hawk appeared all those years ago, that he was a
messenger, a guardian. I thought of him as a form of Horus. Now, as I write this, I am suddenly inspired, and gifted with
a moment of clear inner vision. I associate the hawk now not only with Horus but with one of His four sons, Qebehsenuef, Falcon
of the West. Because of years of
study of ancient Egyptian religious thought, I know that the light of Qebehsenuef, falcon-headed Son of Horus, illuminates
regions of the subconscious mind and depths of the soul where hidden inner truths reside. Qebehsenuef works with our intuition and our emotions. The emotions are ruled
by the subconscious and unless we are very aware, our emotions may sometimes trigger responses that seem to have no apparent
or visible cause. Emotions fuel chemical changes in the physical body which alter our mental activity. Ancient Egyptian cosmology teaches west is the direction of
the land of the realms of the dead. It is the abode of Osiris and the Gods of the Otherworld. It is the direction
taken by the celestial ferry or sun barque to reach the pillars of malachite of the heavenly realms. Qebehsenuef, the son of Horus has right of passage into the
Otherworld, his solar powers bring illumination both to the uncharted regions of our own subconscious and to the western realms
of his grandfather, Osiris. The
Sea Priestess of the West brought everything full circle. But the way her message corresponded to another Goddess related
experience in my life hadn't occurred until taking on writing this article for Mirror of Isis. It all came together when
I was working 'in the creative flow.' And it is a fitting revelation to come to one during the Samhain season!
About the Author: Linda Iles is an ordained priestess in the
Fellowship of Isis and the Temple of Isis. She is certified and teaches as a head instructor in all
branches of the Fellowship of Isis, including the Adepti Spiral, the College of Isis, Solar Alchemy of the FOI Priesthood,
Noble Order of Tara and Druid Clan of Dana. Linda is a founding member of the Circle of Isis Advisory Board
of the Fellowship of Isis, a member of the Circle of Isis FOI Central Website staff, and a founding member of the Temple
of Isis, Geyserville Chapter of the Muses Symposium and Sister member of the Circle of Pelagia. She is a member of two
of the Foundation Triad Unions of the Fellowship of Isis, the ArchDruid Union of the Druid Clan of Dana and Grand Commander
Union of the Noble Order of Tara. Linda undertakes some of the editorial duties for the Mirror of Isis. She has been
an active teacher, given presentations at FOI events in Los Angeles and Geyserville and contributed articles,
poetry and illustrations for Fellowship of Isis publications for eleven years.
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